by Susan Dennard
~~
One thing writers hate doing but will inevitably have to do (one day or another, at least) is the Dreaded Synopsis.
Specifically, the 1 or 2-page synopsis. It’s hard to boil your whole novel into a few key sentences. To convey the depth, the emotion, the literary power of your novel in 500 words or less — ce n’est pas possible!
Ah, but is possible my friends. It’s possible and even fun if you’re like me. For The Spirit-Hunters, I had to provide several agents with synopses, so I took workshops, read books, and wrote a few drafts until I had a gleaming 1-page book summary. And after all that practice, I realized I had my own method (built from the methods of my various teachers, of course).
SOOOOO…. To use this worksheet, fill out the questions in sentence form. Though your story may not follow this exact format, try to find some critical event in the story that can be placed in that space. You will likely notice that the worksheet is very similar to the Hero’s Journey (because most stories follow that format!), and I have filled out the questions using my All Time Favorite Movie as the example.
Once you have filled out the worksheet, rewrite them on a fresh sheet of paper and try to eliminate words, tighten sentences, and variate sentence structure. How many words do you have? You want to shoot for under 500, and you want to have some “space” left for inserting connective words (e.g. meanwhile, then, after, etc.). You also want to have extra space to add any events that are needed for explanation/flow.
Rule of thumb: You can name only three characters in a short synopsis – usually, the protagonist, antagonist, and possible love interest/side-kick/contagonist. All other characters should be referred to by their roles (e.g. the waitress, the mother, the basketball player).
Rule of thumb: You must tell the ending! The purpose of a synopsis is to show an editor/agent you can tell a story from beginning to end. You will not entice them into reading your whole MS if you don’t share the ending – you’ll just tick them off!
Rule of thumb: Do not include subplots unless you have extra space at the end!!!!! Stick to the MAIN PLOT EVENTS.
~~~~
Fill in the Blanks
1. Opening image
An image/setting/concept that sets the stage for the story to come.
Long ago, in a galaxy far away, a controlling government called the Empire takes control of planets, systems, and people. Anyone who resists is obliterated.
2. Protagonist Intro
Who is the main character? Give 1-2 descriptive words and say what he/she wants.
Luke Skywalker, a naïve farm boy with a knack for robotics, dreams of one day escaping his desert homeland.
3. Inciting incident
What event/decision/change prompts the main character to take initial action.
When he buys two robots, he finds one has a message on it – a message from a princess begging for help. She has plans to defeat the Empire, and she begs someone to deliver these plans to a distant planet. Luke goes to his friend and mentor, the loner Ben Kenobi, for help.
4. Plot point 1
What is the first turning point? What action does the MC take or what decision does he/she make that changes the book’s direction? Once he/she crossed this line, there’s no going back.
Ben tells Luke about a world where the Empire rules and Rebels fight back, where Jedi Knights wield a magic called the Force, and how Luke must face Darth Vadar – the man who killed Luke’s father and now seeks to destroy Luke too. Luke refuses, but when he goes back to his farm, he finds his family has been killed. He has no choice but to join Ben.
5. Conflicts & character encounters
Now in a new life, the MC meets new people, experiences a new life, and meets the antagonist/villain.
To escape the desert planet, Ben and Luke hire a low-life pilot and the pilot’s hairy, alien friend. Luke, Ben, Luke’s robots, the pilot, and the hairy friend leave the planet and fly to the Death Star, Darth Vadar’s home and the Empire’s main base.
6. Midpoint
What is the middle turning point? What happens that causes the MC to make a 360 degree change in direction/change in emotion/change in anything? Again, once he/she has crossed this line, there’s no going back.
Once on board the Death Star, Luke discovers the princess is being held as a hostage. He and the group set out to find the princess, while Ben sets out to find a way for them to escape the base.
7. Winning seems imminent, but…
What happens that makes the MC think he/she will win? She seems to have the upper hand, but then oh no! The antagonist defeats her and rushes off more powerful than ever before.
After rescuing the princess, Luke and the group try to escape. Ben sacrifices himself so they can flee, and Darth Vadar kills Ben. The group flees the Death Star on their own ship.
8. Black moment
The MC is lower than low, and he/she must fight through the blackness of his/her emotions to find the strength for the final battle. What happens here?
Luke is devastated over Ben’s death, and he is more determined to fight Darth Vadar and help the Rebels defeat the Empire. Luke joins the Rebel army, and helps them plan an attack on the Death Star’s only weakness.
9. Climax
What happens in the final blow-out between the MC and the antagonist?
The Death Star arrives in space near the Rebels, and the attack begins. Luke joins the assault team of fighter ships. The Rebels suffer heavy losses, and soon Luke is one of the few remaining pilots and ships. He takes his chance and initiates the final attack. Guided by Ben’s voice and the Force, he manages to fire the single, critical shot to explode the Death Star.
10. Resolution
Does everyone live happily ever after? Yes? No? What happens to tie up all the loose ends?
With the Death Star destroyed and the Empire severely damaged, the Rebels hold a grand ceremony to honor Luke and his friends. The princess awards them with medals for heroism.
11. Final image
What is the final image you want to leave your reader with? Has the MC succumbed to his/her own demons or has he/she built a new life?
Though Luke is still sad over the loss of Ben and his family, he has found a place among the Rebels, and with them, he will continue to fight the Empire.
~~~~
Putting It All Together
Long ago, in a galaxy far away, a controlling government called the Empire takes control of planets, systems, and people. Anyone who resists is obliterated.
Luke Skywalker, a naïve farm boy with a knack for robotics, dreams of one day escaping his desert homeland. When he buys two robots, he finds one has a message on it – a message from a princess begging for help. She has plans to defeat the Empire, and she begs someone to deliver these plans to a distant planet. Luke goes to his friend and mentor, the loner Ben Kenobi, for help.
Ben tells Luke about a world where the Empire rules and Rebels fight back, where Jedi Knights wield a magic called the Force, and how Luke must face Darth Vadar – the man who killed Luke’s father and now seeks to destroy Luke too. Luke refuses, but when he goes back to his farm, he finds his family has been killed. He has no choice but to join Ben.
To escape the desert planet, Ben and Luke hire a low-life pilot and the pilot’s hairy, alien friend. Luke, Ben, Luke’s robots, the pilot, and the hairy friend leave the planet and fly to the Death Star, Darth Vadar’s home and the Empire’s main base. Once on board the Death Star, Luke discovers the princess is being held as a hostage. He and the group set out to find the princess, while Ben sets out to find a way for them to escape the base.
After rescuing the princess, Luke and the group try to escape. Ben sacrifices himself so they can flee, and Darth Vadar kills Ben. The group flees the Death Star on their own ship. Luke is devastated over Ben’s death, and he is more determined to fight Darth Vadar and help the Rebels defeat the Empire. Luke joins the Rebel army, and helps them plan an attack on the Death Star’s only weakness.
The Death Star arrives in space near the Rebels, and the attack begins. Luke joins the assault team of fighter ships. The Rebels suffer heavy losses, and soon Luke is one of the few remaining pilots and ships. He takes his chance and initiates the final attack. Guided by Ben’s voice and the Force, he manages to fire the single, critical shot to explode the Death Star.
With the Death Star destroyed and the Empire severely damaged, the Rebels hold a grand ceremony to honor Luke and his friends. The princess awards them with medals for heroism. Though Luke is still sad over the loss of Ben and his family, he has found a place among the Rebels, and with them, he will continue to fight the Empire.
FINAL WORD COUNT: 452
~~~
I hope this helps you all! I know I use it as a general guide every time I write a synopsis. I also use it before writing my novels to help me get an idea of the plot I want to follow.
Happy writing, everyone! If you have any questions, PLEASE ask them in the comments.
~~
Susan Dennard is a writer, reader, lover of animals, and eater of cookies. Her debut novel, SOMETHING STRANGE AND DEADLY, will be available from HarperTeen on July 24th, 2012. You can learn more about her on her blog or twitter.
Tags: Hero's Journey, short synopsis, synopsis, writing, Writing Tips, Writing Tools



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This is so awesome!!!!!!
Why thank you, Mademoiselle Biljana. I daresay I do try.
I love how straight-forward you made it.
It’s intimidating condensing so much into less than 500 words, but you have a great example here!
Intimidating is exactly the word, Judy! The first time I had to do this for (The Spirit-Hunters) it took me FOREVER.
But then after all these workshops/guides, I realized the key is to highlight turning point events. The next synopsis I wrote was only an hour ordeal!
Thanks, this is a great format for short or longer ones too.
Absolutely, Lindsay. I haven’t needed a long synopsis (at least not longer than 4 pages) yet, but I’m sure I’ll use this same approach whenever I do.
My favourite part is ‘The Hairy Friend’ as a character title.
Gold.
: ]
Hahaha. Yeah… I wasn’t sure I should call him a Wookie because that’s just another name an editor/agent would have to remember. So I went with “hairy friend” — glad you liked it!!
This is a great method for a linear plot. What about non-linear plots? Or stories with more than one resolution?
Marc Vun Kannon
http://authorguy.wordpress.com
Great question, Marc.
Stories with more than one resolution — I’m not entirely sure what you mean here. If you can specify, I can try to help… Do you mean multiple endings? Or resolutions for multiple POVs?
Non-linear plots — Admittedly, this worksheet would be trickier for that.
The key is the same, though: find the main events and/or main turning points.
If you can boil your story down to the critical components (i.e. the story simply would not exist without these scenes), then you can build your synopsis around that. Even a plot as non-linear and complex as Pulp Fiction** has key events. Remember, though, to make this kind of synopsis work (and not be confusing for a reader) you’ve got to have very clear transition phrases!
**Wikipedia does a great job of summarizing the key events for Pulp Fiction while also transitioning between different sequences smoothly.
http://en.wikipedia.org/wiki/Pulp_Fiction
I hope that helps.
A non-linear plot is not simply a linear plot told in a non-linear way. I mean a story in which the resolutions of the major goals are achieved through the separate and simultaneous but unconnected actions of many characters. All are needed but none are sufficient, nor do any of these actors know about the other actors.
One character, the main protag, comes among them on a minor mission, and sets them all in motion simply by being there. The main protag is the only point of intersection for all the others, but not always in the same way.
There are at least two major goals, which divide the other characters into at least two groups, each of which consists of actors pursuing their own separate agendas. Each group’s resolution can only occur if they interact, which can only happen by means of the main protag, who does not otherwise do anything at all.
Trying to describe this sort of plot feele like tracing the seams of a soccer ball until you get to the end.
I see what you’re saying, but that doesn’t sound like a non-linear plot to me so much as a multi-thread plot (a là CRASH or even PARIS JE T’AIME). A multi-thread plot could be non-linear as well.
In a multi-thread story, you would still have to isolate the most critical events that lead to the resolution — you’ve only got 1 page, right?
IF YOU CAN’T (like you couldn’t isolate critical events in Paris Je T’aime), then you would have to pick the plot threads you’re most interested in sharing — the threads that give the tone of your story and illustrate the story’s purpose best.
Maybe I’m still misunderstanding, though. Can you give me an example the sort of story you mean? A book or movie?
I have linear multithread plot in my second novel, A Warrior Made. Unfortunately, with the exception of my third novel, St. Martin’s Moon, which hasn’t come out yet, I don’t have an example of the a Catalyst story, which is the name I gave to the type of story I’m describing. The problem is that I have to mention them all, leave out any one plot thread and the whole story fails.
Tricky tricky!! Then perhaps I *can’t* help you! As long as your editor/agent/etc. doesn’t need a 1-page synopsis, though, then it shouldn’t be a problem.
Catalyst story — cool name. Sounds like a complicated but interesting kind of story!
Fortunately my current publisher is willing to take my work on faith. I’ll let you know when it comes out, 2/11 some time.
I was just reminded of this thread, so I thought I’d just mention that St. Martin’s Moon was released in May 2011.
Susan, this is so terrific! Love the use of the ideal example story… STAR WARS! This is a fantastic post; you have such a knack for simplifying the overwhelming.
Great job!
Ah yes, STAR WARS. The Hero’s Journey down to the letter.
LIFESAVER! thanks!
Yay! I’m glad I could help, Katharine!
This is PERFECT! I hate synopsises (sp?), and I thought once I found my agent I’d never have to write another, but she keeps asking for them! WTHeck?! LOL. Now I’ll use this. Thank you!
And your editors will want them too! I had to scramble to get a synopsis written for the sequel to THE SPIRIT-HUNTERS (for editors interested in buying the whole series). I followed this formula, and my agent declared the result “perfect”.
This is fantastic! I can especially see using it to plan a new project. Thank you for sharing this with us!
- Liz
You’re totally welcome. And I definitely recommend using it to plan a project — it’s a great way to organize your ideas.
Hey– Happy Anniversary! And you won a little prize in my contest. Let me know the type of button you’d prefer and I’ll send it over!
Weeee!!!! YAY FOR PRIZES!
I actually find it incredibly helpful to write a synopsis before I start writing the story. It helps me focus and define the story from the get go.
Me too, Sierra! In fact, I wrote one for THE SPIRIT-HUNTERS before writing the book, and though the book changed a gazillion times (so many drafts!), the synopsis was still the same! Since the main external plot never changed, I never needed to write a new synopsis!
Thanks for this – really useful! Especially as I am trying to write a one-page synopsis for a book I’ve just started, and don’t really know where everything will fall yet – I think I was supposed to see this today!
It’s FATE, I tell you! My fingers were compelled to type this just for you, Catherine!
I like this method for synopsis writing. Thanks!!
You’re quite welcome, Paul. I hope it comes in handy for you.
This is very useful! Thank you for writing this!
Sure thing, M.! I’m glad you can use it.
Thank you! This is very usefull article.. since i always got trouble on writing synopsis
You are so VERY welcome, Farah!
Those synopses sure are tricky…
Thanks you for such a great post! I haven’t started writing a synopsis yet, since I’m just beginning to edit my novel, but I was already dreading it! This post helps me feel a little better about trying it!
Yay! I’m glad to hear that, Brenda, and I hope the writing all goes smoothly (or went smoothly since I’m answering this comment SO LATE!).
This post is very timely for me — thanks for breaking it down. It’s always interesting to see the process another writer goes through.
Glad to have found you via shout-out’s on Twitter. All the best to you in 2011~
Yay! I’m so glad it was helpful, Amanda!!
ah, thank you! thank you! thank you!
this is very usefull <3
You’re welcome, you’re welcome, you’re welcome!! <3
Just found this site and wanted to say THANK YOU for this amazing post. I always thought synopses were evil, but thanks to you I’ve just written mine in no time at all!
This is FANTASTIC! I love hearing it helped!!
VERY helpful. I am very thankful that my professor has shared this post with us.
Good to hear!! And now I’m incredibly curious what professor is passing this link around! It’s great to know my posts are that helpful!!
It is my professor for Creative Writing Research. I am currently in the writing program at Full Sail University.
I am humbled by this very well-written piece! Having just entered the catacombs of attempting to get published (and new to this blog site), I greatly appreciate your crafted thoughts.
You are so welcome! It’s so hard to write a synopsis, but once you know the “formula”, it’s much less intimidating. Good luck!!
This was so helpful. The synopsis I wrote using this guideline in one hour is so much better than the one that took me over a week to write on my own. I will definitely be using this in the future.
Thanks so much,
TCS
Awesome! I’m so glad you found it helpful. It’s easy to find yourself floundering with a synopsis, but once you know the “formula”–easy as pie. Well…easi*er* at least.
Wow, what a great how-to. Thanks for posting this, it was very, very helpful!
Oh good! I’m so glad to hear you find it helpful, Heidi!
This is really cool. I write screenplays and this will really be helpful. Will also be helpful writing outlines as well.
Thanks
Hey there!
Thanks for a great and useful post. I am happy to report that I just tried it and it worked! It was so much easier than the usual poke-your-eyes-out-with-a-blunt-instrument-torture of writing a synopsis. I will be sending readers your way!
Ali
This is immensely helpful, and quite possibly my favorite blog post, ever! Thank you SO MUCH!