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My first year as a published author….

9 Jun

by Mandy Hubbard


I am not sure how I got here, but somehow… I am just two days away from the 1 year anniversary of Prada & Prejudice’s release date.

*scratches head*

I dont think anyone really knows what to expect when you have a book coming out. And maybe that’s because… your publisher doesn’t tell you. You could sell 100 copies a week or 1,000 copies a week and you have no idea if that is good or bad or if they are happy or not. You’ll get a huge mix of reviews and the good ones will make you happy for three minutes and the bad ones will make you mopey for three days. You’ll go to Barnes and Noble and wonder why your book isn’t face out, and you’ll rearrange half of the H section to make enough room so that you can do it yourself. After you’re done signing stock, you’ll put them away yourself so you can sneak one onto an endcap.

You’ll see your book in the catalog and then you’ll see the other books with their 2 or 3 page spread and you’ll despair. You’ll beg anyone in a 100 mile radious of New York City to go to BEA (book expo of America) just so they can see if your publisher is giving out ARCs of your book. You’ll set up google alerts for your book title. And maybe extra ones with various mispellings. And even though you have the alerts, you’ll still end up spending half the day on google anyway.

The first year as an author is a roller coaster, filled with so many ups and downs its hard to keep track of it all.

The highs I experienced:

My first ever fan mail–first, the totally random emails that could bring on complete and utter glee, and later, my first ever snail-mailed fan mail.

Seeing my book in a store. A Real. Live. Store. 

Seeing Prada & Prejudice mentioned in TIME magazine.

Selling foreign rights to countries I’ve never seen, to be translated into languages I can’t speak.

Connecting with other authors who have become friends– for life

Selling more books and realizing I might be able to do this more than once.

The Lows:

Finding out Borders didn’t want to stock Prada & Prejudice. Wondering if that meant my career was totally finished. (They changed their mind a week after it came out.)

Watching other books get more publicity, more glitz, more foreign sales, more INSERT ANYTHING HERE. And driving myself crazy comparing. Over and over. Crazier and Crazier.

Going to a book festival 2+ hours away. And then sitting at a table while people avoided looking at me and no one bought my book.

Realizing how much is out of my control. Learning to focus on the writing, the only thing I can control.

It’s still hard to fathom that a year has gone by. I was so focused on that magical date– June 11, 2009– that once it was over, the days just floated past me. It was more stressful than expected–but so much more exciting and gratifying, too.

So I guess what I am saying, in the end, is the roller coaster never ends– it just gets a little loopier and a little faster, but it’s always worth it. 🙂


Author, Prada & Prejudice

Agent, D4EO Literary

Battle The Voices of Doom….

18 May

Yesterday, I discovered my Harlequin NASCAR romance, DRIVEN (part of AT ANY COST) started shipping from Amazon.  It made my stomach flop over.  It is, officially, my second release, and it hasn’t gotten any less nerve-wracking. In fact, maybe it is MORE nervewracking because I’ve only seen one review so far (the Harlequin category lines are run a little different than a YA lineup– there were almost no Advance review copies…) so to have it just… hit shelves without any idea of what people think of it is, well, really scary.

There are many, many paths to publication, and everyone’s is different. But one thing is consistent: we all freak out. A lot.

When you’re ten pages into your first ever book, you’ll freak that it sucks and you dont know what you’re doing and you’ll never find enough time to write it all.

When you write THE END for the first time, you’ll stress that the whole thing is a mess.

When you query agents and get your first form rejection, you’ll freak that you suck and you’ll never find an agent.

When your first book hits shelves and its published by an awesome publisher and you have an awesome editor, you’ll still worry everything is a fluke and readers will hate you.

It doesn’t matter what stage you’re at– the feelings of suckitude remain consistent.

There ARE things you can do to help ignore the Voices-of-Doom.  Here are my tips:

1) Surround yourself with inspiration. I used to post quotes on a board above my computer. My favorite was, “Use what talents you possess. The woods would be very silent if no birds sang except those that sang best.”  I also posted my #1 writing rule: “Give yourself permission to write crap. Crap can be fixed.” Whenever I wanted to toss what I was writing, I just had to look up.

2) View it as a process. Remember that every book on shelves had a team of people helping it become what it is.  It went through revisions and copy edits and typsetting and yes, it’s very pretty, but it didn’t look like that when the author wrote it down.

3) Remember that NO book in the world is unversally loved and adored. Think about the last 5 books you read. Did you love and adore all 5? Probably not. But its a published book, so someone did. If you just got a rejection, it means that wasn’t the right reader for you. It’s okay to be rejected. Plenty of people love rocky road ice cream. I hate it. Does it mean it doesn’t have a place in the world? No.

4) Save praise; toss rejection. If your work is on fictionpress, and you’re getting reviews, move all the positive review alert emails into one folder. Delete the others. When you’re feeling down, open up that folder and read some of the good reviews.

5) Network. Commiserate. Misery loves company,  right? If you make friends with other writers, they will know exactly what you’re going through. They’ll talk you down off the ledge and push you in the right direction. I don’t know what I’d do without my writing friends!

6) Let yourself wallow…. but only for a little bit. It’s okay to take a day or a week or a month off. Sometimes you just need to live and let the stress evaporate on its own. Don’t burn yourself out because you think you have to have it now. Let yourself breathe and come back to your writing with fresh eyes and more energy. But don’t quit.

Anyway, I hope that helps… Happy Writing!

Mandy Hubbard

Author of Prada & Prejudice and At Any Cost

Agent, D4EO Literary

A Tongue-in-cheek guide to being an agent.

11 Mar

I was going to post something serious today, but I’m not in a serious sort of mood. So instead…. I bring you….

The tongue-in-cheek guide to being both an author and an agent.  As seen on twitter.

1. Make a really nice form rejection. ‘Cause rejections suck.

2. Be nice to the crazies. The crazies are the ones who will get on a message board  (as well as MY blog) and totally bash me.

3. Learn my lesson and turn off anonymous comments to my blog.

4.  Sign some awesomesauce writers.

5. Remind my awesomesauce writers on a near-daily basis that I’m still here. Becuase I remember sometimes wondering if my agent remembered me. Even though she just emailed me yesterday.

6. While my client’s work is on submission, I should just email themn so they don’t wonder if I died in a fiery wreck in a canyon somewhere. Not that there are any canyons around here. But they might wonder.  ‘Cus even though I told them I’d share any news the second I got it, they’ll still think I’m holding back.  And they’ll sit, their fingers poised over the keyboard, wondering if I will be annoyed if they check-in. (I won’t.)

7.  I should never call my clients unexpectedly, especially if something is on submissions. Becuase it will make them hyperventilate and/or sweat profusely. If I MUST call unexpectedly,  and it’s not THE call, I will say so immediately.

8. If their work is rejected (gasp!) I will immediately say such phrases as, “But I still love you!” and “damn it we are not giving up that easily! We’ll show them!”

9. I will send a questionnaire to all of my new authors with the following question: If you receive a rejection,  how would you like it soothed? A) Chocolate.  B) Wine C) Wine? Screw that, give me the hard stuff D) Joke about busting some kneecaps. Unless the editor was mean. Then maybe we’ll really…. no, no, we’ll just imagine it.




Agent, D4EO Literary

Query Week Wrap-up

18 Feb

By Mandy Hubbard


Hi All! I hope this Query Week has been helpful! I know that querying can be thrilling, scary, tiring, gratifying, exciting…. and sometimes all of that all at once. As a writer, I’ve been there, and I know how you feel.

As an agent, it’s also many of those emotions, and more. To wrap things up, I thought I’d give you insight as to how I approach the inbox every day– what I think as I read queries, what will make you stand out, etc. I hope this builds nicely on what Vanessa posted yesterday!

First off, when it comes to queries, I always start with the oldest ones first. I approach them with nothing but hope— will this be the query that makes me sit up and take notice? Many writers see agents as mean ‘ol gate keepers that only want writers who have huge credentials or the most amazing high concept book known to man.

Not true! Some of the queries that just plain blow me away seem rather anassuming at first–but the writing is just plain good. That’s all I’m looking for. Really good writing! Everyone has a fair shake at it.

When I start reading, I’m pretty neutral– I do not go in expecting to be blown away, but I don’t expect to hate it. You’ve got a blank slate, so use it to your advantage– grab me from the get-go.  If your book is funny, showcase your humor from the first line. If it’s dark and emotional, make me care about the character so that I’ll want to follow her for the next 50,000 words.

For queries I just really don’t like, I don’t read the sample (My submission guidelines ask for the first 5 pages).  It might be something I don’t represent (I’ve seen some chapter book submissions and adult fiction subs) or it might be something that doesn’t suit my personal tastes (high-fantasy or deeply cultural).  Or it might just be a hot mess. I see those, too.

For Meh Queries, I move onto the sample. If I’m leaning toward a rejection, your first paragraph or two really has to reel me in. I’m not just checking to see if you’re a competent writer– I’m giving you a chance to change my mind. Most often, it doesn’t.

For queries I’m on the fence with, I read further. I’ll give it a full page or two– many times the whole 5 page sample, hoping to see that spark that tells me the book may be bigger and better than the query gives it credit for. These are the queries where the sample is most important, because it can tip me in the right direction.

If your book is a humorous book with a quiet concept, the sample is paramount. Humorous books are all about voice and making me laugh. If you don’t do that in 5 pages, I probably won’t want to see more.

Sample pages are your friend. As an intern I lost count of how many times I sent a query on to the agent saying, “yanno, the concept is kind of quiet, but those pages just  pulled me right in.”

For queries I love, I eagerly scroll down, crossing my fingers that the writing holds up. I often don’t need more than a page to confirm it, if I’m super excited by the query.

Because I ask for samples, I skip right from the query/sample to the full manuscript. If you were printing/mailing it, maybe I’d do partials, but I see no reason to have you create a new document just for me– I can stop reading at any time and it didn’t waste any paper.

Okay, so that’s my process for reading queries. When it comes to fulls, things go a little differently. For starts, I don’t read them in order. I know, that’s mean, right? But trust me, it’s a good thing. If your book is funny, do you want me in a grumpy mood when I’m reading? If your book is serious, and I want to laugh, I’ll open that humorous MG and save your dark/edgy YA for when I’m in that sort of mood. Just like different books appeal to you on different days. Further, sometimes I just get a manuscript with an exciting concept and I dive right in. On top of that, some books are Middle-Grades weighing in at 20K and some are urban fantasies at 100K. Depending on how much time I have, I may choose to read one over the other.

I read fulls a little differently– I go in with certain expectations. I know I like the concept and sample, so I am always hoping the rest holds up. You’ve got about 50 pages to really hook me.  If i’m at page 50 and I can put it down and go take my daughter to the park and I’m not thinking about what’s going to happen next, I’ll start leaning toward a rejection.

I do sometimes have 2 or 3 projects going at once, and if yours isn’t battling for attention in my mind, it’s not a good sign.

When I represent an author, I go in knowing I’m in it for the long haul. If we don’t sell it on the first round of submissions, I could be reading it and resubmitting it and working on revisions with you for months. That’s why I have to truly love it, not just like it.

So, I hope all this gives you a little insight into how an agent reads and what they are looking for.

Good luck to all those in the query trenches! And remember, if you write MG/YA and you have a project ready for submissions, feel free to send it my way. Send your query and the 5 page sample (both pasted into the  email) to



Query Analysis

14 Feb

By Mandy Hubbard


Hi Everyone!

Sorry for the delay in my query analysis post– things have been pretty crazy since the big announcement, but I’m settling into a rhythm now.

Let’s start with Sarah’s query. My comments are in bold/italics:

Dear Ms. Rydzinski:

What if Cinderella went to the ball not to win the heart of the prince, but to kill him?  In THE EYE OF THE CHOSEN, the first book of my fantasy trilogy, QUEEN OF GLASS, Celaena Sardothien is not a damsel in distress—she’s an assassin.  Serving a life sentence in the salt mines for her crimes, Celaena finds herself faced with a proposition she can’t turn down: her freedom in exchange for the deaths of the King of Adarlan’s enemies.

I’m definitely a fan of starting a query with the hook. I read dozens and dozens of queries in a week, sometimes spending a few hours in a row. If you can start your book with a sharp focus on the hook, it’s more likely to grab me right from the get-go. Likewise, if your book is humorous, get me laughing right from the start. It’s okay to start with, “I am seeking representation for________” but I prefer to save that for the end, near your bio.

Before she can complete her mission, she must first train within the glass castle in the capital of the empire. As training with the Captain of the Guard revives her muscles, encounters with the Crown Prince threaten to do the same to her heart. But Celaena soon learns that the King of Adarlan might have plans more sinister than assassinations.

Great! We have the hook, now we’re focusing in on the character. It’s important to have a good balance of  conflict and character.

An ancient queen’s ghost charges Celaena with an enormous task: to discover and destroy the mysterious source of the evil king’s power. Torn between her desire to win her freedom and a mission much bigger than herself, Celaena thus begins an adventure she never wanted, which will uncover her forgotten, magical past—a past more dangerous than any tyrant…

Sold. She’s got enough conflict, driven by the character, to carry a novel.

I am a 2008 graduate of Hamilton College with a degree in Creative Writing, and I have been published in Hamilton’s literary magazine, Red Weather. Because of your interest in fantasy, I thought you might be interested in my trilogy, which is centered on a retelling of the Cinderella legend through the eyes of an assassin. My completed manuscript is available at your request. Below, please find the first ten pages of my manuscript. I look forward to hearing from you soon.

Though she skipped the word count (and I happen to know it’s because it’s the word count is slightly higher than normal, so this was probably a smart move), she has all the pertinent information. The closing is concise and to the point.

Thank you for your time and consideration,

Sarah J. Maas

So, is it a request? Definitely. Sarah’s query is well-written, with a great balance of character and plot. She gets right to the point up front. Even better, she’s added a commercial angle by showcasing that her epic fantasy is a unique take on a fairy tale.

Moving on to Savannah’s query:

I read on that you represent Young Adult fiction, and are particularly interested in edgy romance. I believe you will be interested in my 60,000 word gender-issue YA novel Woman’s World, book one of a completed trilogy.

Here’s how most people begin their query– genre, word count, etc. It’s professional, and it works. My PERSONAL (stressing the PERSONAL) preference is to begin with the hook, but Savannah’s opening works just fine. Further, she’s pinpointed the agent’s specific preference for edgy romance. If all you plan to say is “I see you represent YA so I think you’ll be interested in my YA book,” Then leave it out. All you’re saying is that you found them on a website or search engine. It sounds like you’d take any agent that reps YA. Moving on….

In a female-dominated society where men are kept as domestic slaves, one young woman must overcome cultural barriers as she grows closer to her new, abused slave -a romance that uncovers the secret history behind women’s rise to power in our world and leads to an exciting, apocalyptic revolution to restore gender equality.

Great! Here’s the hook, and Savannah tells it in an easy-to-follow manner. She also tells us who the main character is, which I assume she’ll elaborate more on…

When the famous and reclusive writer known only as the Poetess selects for her first slave a young man whose muteness makes him worthless in society’s eyes despite his great beauty, their journey towards trust and compassion in her isolated home sparks a powerful and forbidden romance. Torn with feelings deviating from strict religious and social dogma, and possibly dying from a cancerous illness that makes her shamefully barren, the Poetess struggles to come to terms with the love she feels for the slave she names Shaedyn, and her new, heretic belief that men deserve to be equal with women. Whispers of an underground equalist movement, and their tentative plan to use the Poetess as a political tool to sway the hearts of the nation, excite and terrify the Poetess until a near-deadly failing of health forces her to leave Shaedyn behind and travel to the East Hall, a technological metropolis and secret heart of the revolution itself.

Bingo! We know more about the main character, and Savannah has done an EXCELLENT job of balancing internal and external conflicts. She’s also set up the plot sufficiently that we get an idea of where the reader is going to be taken in the opening pages, but not so much it’s like one of those too-long movie trailers that spoils the movie. Remember, your query is to ENTICE AND INTRIGUE an agent,  NOT to explain away your novel! Savannah has done a great job of this.

At age 19, Woman’s World is one of five novels I have written. Originally posted online at, garnishing 61,000 hits, near 1,000 favorable reviews, and hundreds of registered fans, Woman’s World takes the female-dominant society stereotype to an intelligent and realistic place with a romance and characters proven to capture the heart of any reader. My other writing credits include a personal narrative in the November 2006 edition of literary magazine TeenInk, and an award from the Journalistic Education Association for Feature Writing. I would be happy to send you a complete copy of the manuscript for your review. I appreciate your time, and look forward to hearing from you.

In her post earlier this week, Savannah said she would have removed her age and her fictionpress background. I agree– in a normal situation you shouldn’t mention either of those. For me in particular, it might be of interest becuase I myself came from FP, so it’s something in common. But for your average agent, fictionpress will come off as amatuerish.


Savannah J. Foley

The verdict? I probably would have requested this, too, although I would wonder if it were truly YA– it probably has a strong crossover into regular “adult” romance. I would have requested to see, though, because I’m a sucker for romance, and Savannah has made it clear that it’s the romance driving the story in this one.

I hope this was helpful! Please remember that these are my opinions only, and another agent could very well feel differently.


Agent, D4EO Lit

Author, Prada & Prejudice

Query Week: BIG ANNOUNCEMENT from Mandy Hubbard!

12 Feb

First things first…because of the success of Query Week, we’ve decided to extend Query Week into NEXT week…and we’ll be posting EVERY DAY! So, make sure to check back on Monday for more querying goodness!!!

Secondly, Mandy Hubbard was going to post today, BUT she just had some HUGE news, so she decided to hold off on her article until next week, and share the announcement with us today! From her LiveJournal:


Today I get to share some exciting news!

I have joined forces with Bob Difiorio, (D4EO Literary), where I will be representing authors of middle-grade and young adult fiction. (And yes– since many have asked– I absolutely still intend to continue my writing!)

The official announcement– which you are all free to copy and share with your querying friends, is as follows:
Mandy Hubbard has joined the D4EO Literary Agency where she will concentrate on YA and Middle-Grade fiction.

Mandy began her career in publishing on the other side of the desk: as an author. Her debut novel, PRADA AND PREJUDICE, (Razorbill/Penguin– June 2009) is in its fifth printing.  She has four other books under contract, divided among Harlequin, Llewellyn Flux, and Razorbill/Penguin.

Mandy interned at The Bent Agency before joining D4EO Literary, where she is now building her list, focusing on YA and Middle-Grade fiction.

Mandy is interested in a broad range of YA/MG, whether they be contemporary or historical, fantasy/paranormal or realistic. She loves books with a heavy focus on romance, as well as “issue books” with a strong voice. If your book has a high concept or a big hook, she wants to see it.

If your story includes portals to fantasy worlds, wizards or dragons, it’s probably not for her. Please, no chapter books, pictures books, poetry, non-fiction, or books for the adult market.

To query mandy, send your query letter, along with the first five pages of your manuscript (both pasted into the body of an email) to

Website: and Blog:


Congrats, Mandy!!! You are AWESOME!

The Process of Making A Book

16 Dec

by Mandy Hubbard


Hi Everyone!

For my first blog post, I talked about what it’s like to get “the call” that your work is going to be published.

What a lot of people don’t realize is that once the euphoria of selling your novel wears off, the real work starts. See, a publisher doesn’t take the book and just print it. You’ll go through many, many steps. I thought it would be fun to walk you through the process.

Step 1: Revisions. Your editor—the person who works for the publisher who read your book, loved it, and convinced a lot of other people that they should purchase it—will write you a revision letter. It may be two pages, it may be twelve pages. I’ve had both. And actually, the longer ones are sometimes easier! Some editors will talk about the issues and the possible solutions, while other editors will just say “fix this.”

So what’s in a revision letter? Well, they might talk about how Character A feels sort of flat, or they might say Chapter 4 serves no purpose and should be cut, or they might say the pace at the end goes way too fast. They might say they want you to change it from third person to first, or they might ask you to drop a subplot. In other words, they can ask for just about anything!

Generally, you’ll have 1-2 months to revise your novel and send it back to your editor. Then you wait, bite all your nails into little stubs, and cross all your fingers. If you’re lucky, you nailed your revisions and you move to the next step. Some people aren’t so lucky. Some people may do two or three rounds of revisions.

Step 2: Line edits. Next, you’ll receive your manuscript either via email or snail mail, and it’ll be marked up like crazy. You’ll cut paragraphs, clarify others with a few extra words tossed in here and there, fix punctuation, etc. If your editor uses track changes in Microsoft Word, this is an easy round. If it’s hard copy, then it’s kind of annoying and time consuming. You generally  have 2-4 weeks to do Line edits, but sometimes you have far less. For my August 2010 book, YOU WISH, I had 24 hours.  Luckily they were electronic and I did them in about an hour.

Step 3: Copy Edits. Up until now, you’ve worked exclusively with your editor. But for copy edits, you’ll have a new person going through your manuscript—the copy editor. A copy editor is someone who specializes in knowing exactly how sentences should be structured, words should be used, etc. They’ll point out if you misuse a semi-colon where there should be a colon, if you’re supposed to capitalize a proper noun, or if your sentence is missing a verb. This stage is the scariest sometimes, because they have all kinds of symbols and short-hand and you might not understand everything.

The difference with your copy edits and your regular edits is that these changes are made  for you, and then you have to approve them. You are allowed to write “stet” next to things you want to keep as it was before copyedits, and they’ll undo what the copyeditor changed.

Step 4: First Pass Pages, or FPP: This is the final proof read. You’ve made it through revisions, line edits and copy edits, so now you’re just proof reading! The fun part is that usually your FPP’s are “typeset”—that means they have formatted it to appear exactly as it will in your book. As an author, you often get cool little surprises—For PRADA & PREJUDICE, the chapter headings had these fun, whimsical swirls. For Cyn Balog’s SLEEPLESS, she discovered her chapter headings either had a crescent moon or a flower, to emulate the cover.

Step 5: ARCs. Advance Review Copies are sent to the printer somewhere after Step 2…but you often don’t have them in hand until the end of the process. ARCs are a scary time—it means that the book is being sent out to reviewers. It also probably means no one has read it yet and you’re terrified it’s going to be torn apart soon. But it’s also a THRILLING part of the process because it’s the first time you hold your book. I admit, I read mine cover to cover. It’s the first time in the process that you realize your little manuscript is truly becoming a BOOK.

Step 6: Finished Books. Anywhere from a month to a day before your book goes on sale, you’ll get a box of them on your doorstep. And they will be beautiful.  🙂

Hope it all makes sense! If you have questions, post them in the comments and I’ll try to answer them.

Mandy Hubbard

What I’m reading now: BEAUTIFUL by Amy Reed.

The Call

2 Nov

By Mandy Hubbard


Hello All! Welcome to the official launch of the Let the Words Flow blog!

I am oh-so-honored to be able to post the first official entry. And I decided to start things off with a bang, because this entry is all about getting THE CALL. What better way to start a blog about the journey to publication than to talk about the moment it all happens?

The Call is so important that it needs no other name. Just The Call. If you’ve ever dreamed of being published then you’ve probably dreamt of what it would be like to hear someone telling you they want to publish your book. For most people, this call comes from their agent. And the second you see your agent’s phone number pop up on caller ID, your heart will race.

A few things are guaranteed to happen: You’ll feel trembly (is that a word?) and short of breath and you will speak in incoherent babble. You won’t remember any of the questions you once planned to ask, and the most intelligent things you’ll say are: cool; uh-huh; awesome.  Your agent will tell you who is interested, how much they want to pay, and for how many books. The details don’t matter, because you’d sell your book for a Big Mac and a carwash token.  You may burst into tears, or those may come later, at some random point in time. Like driving your car to work the next day. (Ahem. That totally didn’t happen to me. That was just an example. NO really! I swear!)

Your agent, on the other hand, will be cool as ice, calmly explaining the details as if it’s a grocery list and not a book deal. She’ll promise to email you the details, because she’ll know you won’t remember any of them.

The Call is guaranteed to multiply into several calls: the one where you call your significant other, who will be very excited for you but who might not totally get how epic this is, and then the one to your critique partner(s) who will probably burst into tears with you because they really do get how epic this is, and the ones where you call your best friend, your mother, and your ex-boyfriend. (Wait, what? I swear I didn’t do that last one.)

In other words? The Call is totally worth everything that came before it—the rejection, the revision, the rewriting, the despair.

So, there you have it! I hope you enjoyed the first post, and we look forward to discussing all aspects of the publishing journey with you! We’ll be posting individual posts (like this one) twice a week, and a group question of the week (in which we’ll welcome questions from you guys too!) every Friday.


Prada & Prejudice, a novel for teens, is now in stores!

Hi Everyone!

26 Oct

Hello all! I’m Mandy. Sometimes Amanda, depending on who you ask. Or, as soon will be the case, which one of my books you’re reading. I write light-hearted romantic comedies under Mandy Hubbard (For Razorbill, which is a division of Penguin) and I also write darker, literary work under Amanda Grace (For Flux, a division of Llewellyn Worlwide).

I live near Seattle , Washington , with my hubby and two year old daughter. I’m a food-addict, a sucker for romantic movies and books, and I could spend all day watching it rain.

My first book, PRADA & PREJUDICE, came out in June, and is available in stores nationwide ( USA ) and in Canada . It’s been really amazing to finally, finally have a book available and to talk to readers about it! Fictionpress members have been amazingly supportive and I’ve received a lot of emails and PM’s from Fpers. Thank you so much for supporting me! I’m super excited to get to know you guys through this blog, and hopefully more FP folks will be making the jump to publication.

As for what I’m doing now, well, I recently turned in revisions for my novella, DRIVEN, which is a romance for Harlequin. For twenty-five minutes, I was gloriously free of deadlines. Then I received a revision letter from Razorbill for YOU WISH, my August 2010 release for young adults.

Here’s the status of my projects under contract:

DRIVEN–NASCAR-Harlequin romance novella written as Mandy Hubbard (pubs: June 2010): Revised draft turned in.

YOU WISH, a romantic comedy for Young Adults written as Mandy Hubbarde (pubs: August 2010): Received revision letter—revised manuscript due November 19th!

SHATTERED, a darker literary book about a girl in an abusive relationship written as Amanda Grace (pubs: 2011): Recently contracted—no revision letter yet!

TBD, YA written as Amanda Grace (Pubs: 2012). Not even written yet!

Aside from the projects under contract, I have a number of projects in various stages. I can’t wait to get to writing them, and the second I’m deadline free I’ll be fast-drafting something new!

Anyway, thanks for letting me share what I’m up to. Really excited to get this blog going!

Mandy Hubbard/Amanda Grace

Currently ReadingHush, Hush by Becca Fitzpatrick