Tag Archives: Sequels

The Seven Stages of Writing a Sequel

12 Jul


AAAAAAAGH #*$#&$*#*&%# Sequels!

A Guest Post by Jill Hathaway


1. Elation – Your editor wants you to write a sequel! Everyone wants to know what happens next. They love your characters. They love the premise. They love you! O happy day!

2. Denial – It can’t really be that hard to write a sequel, right? People do it all the time. Never mind that they usually have an idea of what happens in the long run. You can figure that out as you go. You’ve done it once, and you can do it again. No sweat.

3. Hope – You have an idea. It’s the best idea evar, really. Just take your main character and send them to SPACE. Why didn’t you think of this before? It doesn’t matter that none of the other characters your audience loved from the first one will be in the sequel. Or that it’s a completely different genre from the first one. It’s brilliant, I tell you! BRILLIANT!

4. Grief – Your editor doesn’t think shooting your character into space is such a good idea? Your agent laughed in your face? Your critique partner actually threw rotten tomatoes at you? Well. It was a pretty dumb idea, wasn’t it? I mean, space? What were you thinking? You are so stupid. You’ll never come up with a good idea again. Just grab that tub of Ben & Jerry’s and retreat to your bedroom. Go wallow in your failure, dumbhead.

5. Thunder Bolt of Awesomeness – Wha? What was that? An even better idea kicked you in the head, knocking the Chubby Hubby right out of your mouth? Well, better grab a notebook! Write write write write write! Get so excited that you send your editor, your agent, your crit partner multiple unintelligible emails. WHAT? Everyone loves your idea? Then get your butt started!

6. Realization – Oh, yeah. This is what writing a book is like. The trek to the salt mines every day. The pages of uninspired prose just to get one little golden sentence. Still, you already know the characters. You already know the world. It’s just figuring out how to make something new without changing it TOO much.

7. Hope – WHAT? THERE CAN BE TWO STAGES CALLED THIS. You write “THE END.” You look over the material. It’s raw, but you think the clay is all there. You like it. You kind of love it. Your crit partner kind of loves it. You roll up your sleeves, ready to start the real work of revising. You can do this. You can. You’ve done it before, and you will again.


Jill Hathaway grew up in Iowa and received her MA in literature from Iowa State University. A high school English teacher, she lives with her husband and young daughter in the Des Moines area. You can visit her online at www.jillscribbles.blogspot.com. SLIDE, her debut, will be released from Balzer + Bray/HarperCollins in 2012.