Tag Archives: Vahini Naidoo

Providing Useful Critique

22 Sep

by Vahini Naidoo

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I’m going to be totally honest – when I first started critiquing other people’s work, I was bad at it. In fact, that’s an understatement. I was awful. I’d write stuff like, “This is good. Yeah…I feel pretty unhelpful”.

So, in order to spare anyone else the pain of knowing that they’re not critiquing well, and to spare any writers from critiques like my initial ones, I bring you a sort-of idiot’s guide to critiquing a manuscript.

Anyway, my biggest problem was that I’d regularly stop and ask myself this question: What right do I have to be critiquing so-and-so’s work?

The answer to this question is every right, so long as you’re a reader. Thinking that you don’t have the authority to critique is really counter-productive to providing helpful feedback, because you lose the confidence to truly make not of the mistakes you catch. When a scene is confusing, you assume that it’s your fault, not the writer’s and so on. In other words, you won’t be totally honest with the author because you’re limiting yourself.

And the first step towards critiquing a manuscript is a willingness and ability to be straight-up with the writer about what you think. Even if you don’t feel particularly qualified – and you are! – you have to deliver your critique with clarity and honesty .

My other problem? I never really tried to accommodate the writer’s needs.

My awesome fellow contributor, Kat, wrote a post on Monday about critique partner relationships. She mentioned that all of them are different.

My mistake was not recognising this, and just diving straight into reading a manuscript. Instead, I should have been asking the author what they were specifically looking to fix with this revision, or whether there was anything that they were worried about, or felt wasn’t quite working.

Often, people are quite specific. They’ll tell you that an agent told them that their prose isn’t quite shining, even though their premise is great – and that means you focus on the nitty gritty little stuff. Or they’ll tell you that they’re worried that their character arc isn’t coming full circle, or something, and you’ll know to focus on that.

It can be really helpful to dive into critiquing a manuscript and have some clear direction. So, if you can get that out of the author, that would be step number two.

But what if the author says something like, “Just looking for general stuff” or “Not really sure” or, worse still, “Everything”? Then what, huh?

You stare at your computer screen and burst into tears, obviously. Just kidding 🙂

If the writer doesn’t give you direction you have to follow through with the third step in any case. That is, you have to read the manuscript – I know, I know, I’m a genius.

It’s important to know, at this stage, to know what kind of critique you like to give. Do you like line by lines? Or do you like to make more general comments? I’ve found that if I try to give detailed line comments on more than a chapter, I often find myself unable to get through the manuscript. This is because I’m incredibly nitpicky, and detail-oriented and will often write 6000 words worth of comments on 3000 words.

I’m pretty sure that this kind of over-critiquing is not helpful to either the author, or the never-ending piles of homework lying in wait for me.

So that’s me, I don’t give line by line critiques, although you might. I focus on the macro stuff, and I tend to think that even if you do focus on the micro and give a line crit, you need to give the writer a sense of how the manuscript stacks up overall for the critique to be truly useful. After all, someone can have seriously awesome prose and be completely unable to plot.

One of the mistakes I often made when giving this overall critique to a writer, was not being thorough enough – I’d just forget to talk about entire aspects of a manuscript. For instance I’d say something about the characterisation, but the plot would totally slip my mind.

 In order to be more thorough, you should probably carefully think through the big elements of a novel. That is, character, plot, setting, and depending on the manuscript, theme. Thinking through those elements, and really asking yourself whether there was anywhere it could have been improved allows you to spot more potential areas for improvement.

Final tip? Sometimes you need to think about things for a while. I finished a mind blowing manuscript two weeks ago, and initially I couldn’t think of anything to say. The author was firing on all cylinders – she had characterisation, a great plot, a wonderful voice and prose that was both beautiful and evocative.

But I gave it a week, and reconsidered the manuscript. Then I sat down and wrote her a two page critique – the manuscript is still mind blowing, and is probably already publishable, but there were areas there that could be improved upon. I just needed time to see them.

Lastly, so that you can all SEE for yourselves that different readers work in different ways, and also get some shining examples of how to give good critiques, check out THE BETA PROJECT. It’s a blogosphere experiment where six blogging writers critique one brave author’s first page, and post it so that everyone can get a handle on different critiquing styles. Check out the critiques from  Cory , Kate, Meredith, Sarah, Windy and Raven.

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Vahini Naidoo is a high schooler who eats instant noodles like she’s already in college. She writes contemporary YA novels and is represented by Ammi-Joan Paquette at the Erin Murphy Literary Agency. You can find her over at her blog.

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Introducing the Newest LTWF Contributor, Vee

6 Sep

                                                    

Hey everyone!

I’m super excited to be here! Hopefully I can contribute something worthwhile to this already wonderful community.

My name is Vahini Naidoo, but everyone calls me Vee. I’m seventeen years old and I’m from Sydney, Australia. I’m currently in my final year of high school – only a month to go till graduation, woot! – and after that I plan to pursue something at University, hopefully somewhat writing related. My ultimate goal for life beyond University is to live in a castle. I also have some plans for world domination. Standard stuff, you know.

I’ve been writing since forever. I think I wrote my first novel at ten, and I wrote really weird songs about the correlation between Wingdings and the meaning of life for my never-got-off-the-ground band when I was thirteen. However, I’ve only been writing seriously for the past two years after being kick started by the brilliant thing that is NaNoWriMo (anyone out there doing it this year?). At first, I posted my unrevised NaNo attempts on Fictionpress without any intent of getting them published, however as time went on I found that I wanted to seek publication.

I queried for a long time before receiving three offers of representation this April. I decided to sign with my awesomesauce agent Ammi-Joan Paquette of the Erin Murphy Literary Agency. Two of my books – THE COLORS OF SKY, a contemporary YA about one girl’s mission to find Heaven on Earth and THE GNOME IS WATCHING, about a girl who repeatedly re-enacts her best friend’s suicide in order to find out why her friend did it, with tragic results (and yes there actually is a garden gnome in it!) – are on submission to editors. I’m currently working on an untitled manuscript about locker wars and etch-a-sketch mysteries, which is pretty fun.

I look forward to contributing to the blog and getting to know you readers!

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Vahini Naidoo is a high schooler who eats instant noodles like she’s already in college. She writes contemporary YA novels and is represented by Ammi-Joan Paquette at the Erin Murphy Literary Agency. You can find her over at her blog.